
Don't be such a square!
Kinetic installation

Kinetic installation
Don't be such a square!
HOMMAGE
Site specific light installation
Hommage is a light installation that has been presented at the Symposion Lindabrunn, in Austria, in September 2017. This big cabinet used to be a server, where in every window a monitor could be found. Over the years, it got more and more damaged through vandalism. With this light installation, I wanted to show a trace of the datas that had been previously stored in this furniture. The installation alternates randomly between beeing lighted up by leds and then turned off, where the phosphorescent forms become then visible, as if there were some floating code in the dark.
Symposion Lindabrunn, Austria – 2017 / 5,50 m x 2,50 m x 80 cm
Photo credits: Leo Schatzl
Mr. Watson, please come here.
I need you.
Mixed-media installation
One of the motivation for this project was the envy to play with the minimal representation that I could find of our smart phone and unframe, cut, distort, transform its empty shell like we could do with a simple pair of scissors and some papers. The black painting that have been used is a painting that absorbs most of the light in contrary to our screens. The purpose was to swallow all information in order to create new narratives and meaning through the parcelled bits of “fake“ iphones.
The title is a reference to the first words that Alexander Graham-Bell said to its assistant on the phone in 1876. Words that already demonstrate all the paradoxes of displacing a voice at another place.
Photo Credits: Nagi Gianni


MIND YOUR HEAD
Light installation
This light installation has been made for the exhibition “All In“, at the Bilgensau Art Space, a gallery under the Danube level in the Bilge of the boat Florentine.
“Mind your head” is written in morse code, a small hint to the visitors of the exhibition who have to crawl inside the bilge of the boat in order to see the different works.
With the help of Nir and Leo Schatzl.
Bilgensau Art Space, Linz, Austria
Photo credits: Erich Goldmann.